Line.
Out of the 6 elements of design, line is the strongest and most important and influential. Without line there can be no shape. Without shape there can be no form. Without form there can be no texture and there can be no pattern. Lines are powerful tools that can be used smartly to lead the viewers eyes towards the point of interest in a photograph, and alter the overall feeling and mood of an image.
Lines can be vertical, horizontal, diagonal, or curved. Lines can be short or tall, can be thick or thin. Lines can lead you away, or move you forward in an image. A line's emotional effect on an image cannot be overlooked. They sometimes feel restful, soothing, rigid, active, guiding, or threatening.
Thin lines can be experienced by some as unstable, and by others as vulnerable. Thick lines can be experienced as rigid and dependant, or can be experienced as dominating or stern. Curved lines are often perceived as soft, soothing, settling, and relaxing. Jagged lines can be perceived as forceful, chaotic, sharp, and threatening.
Vertical lines in a photograph tend to convey different moods, ranging from power and strength, to growth. Vertical lines can include strands of hair, poles, trees, buildings, and a lot of other different objects that expand vertically rather than horizontally.
Horizontal lines in a photo tend to cast a feeling of restfulness, permanency, and stability. If you want to further accentuate the restful, stable feeling of a horizontal line in an image, a good way is to use horizontal framing rather than vertical.
Layers of multiple horizontal lines in an image can create drama and rhythm, and can become the main interest of the image all by themselves. Horizontal lines can include horizons, seas, laying people, street sides, and almost anything that expands horizontally.
Diagonal lines work well to guide the viewers' attention towards the main subject of your photo. They can convey a sense of action and render photos as dynamic and interesting. Diagonal lines can be the shape of a path, a line of trees, a fence, river or any other component of an image.
Lines can be vertical, horizontal, diagonal, or curved. Lines can be short or tall, can be thick or thin. Lines can lead you away, or move you forward in an image. A line's emotional effect on an image cannot be overlooked. They sometimes feel restful, soothing, rigid, active, guiding, or threatening.
Thin lines can be experienced by some as unstable, and by others as vulnerable. Thick lines can be experienced as rigid and dependant, or can be experienced as dominating or stern. Curved lines are often perceived as soft, soothing, settling, and relaxing. Jagged lines can be perceived as forceful, chaotic, sharp, and threatening.
Vertical lines in a photograph tend to convey different moods, ranging from power and strength, to growth. Vertical lines can include strands of hair, poles, trees, buildings, and a lot of other different objects that expand vertically rather than horizontally.
Horizontal lines in a photo tend to cast a feeling of restfulness, permanency, and stability. If you want to further accentuate the restful, stable feeling of a horizontal line in an image, a good way is to use horizontal framing rather than vertical.
Layers of multiple horizontal lines in an image can create drama and rhythm, and can become the main interest of the image all by themselves. Horizontal lines can include horizons, seas, laying people, street sides, and almost anything that expands horizontally.
Diagonal lines work well to guide the viewers' attention towards the main subject of your photo. They can convey a sense of action and render photos as dynamic and interesting. Diagonal lines can be the shape of a path, a line of trees, a fence, river or any other component of an image.